Luc Döbereiner

ABOUTWORKSAGENDATEXTS
Synthese und Solidarität
Neue Zeitschrift für Musik 1/2025, 2025.
Speculative Machine Learning in Sound Synthesis
with David Pirrò in Proceedings of the Sound and Music Computing Conference 2024 (SMC 24), Porto, 2024.
Contingency and Synchronization: Conceptual Framework, Artistic Experiments and Speculative Syn-theses
with David Pirrò in Musica/Tecnologia, 17, 95-116, 2023.
Using Deep Learning and Low-Frequency Fourier Analysis to Predict Parameters of Coupled Non-Linear Oscillators for the Generation of Complex Rhythms
Proceedings of the Sound and Music Computing Conference 2023 (SMC 23), Stockholm, 2023.
Sonorous Dissensus: Remarks on the politics of synthetic sound
in Schröder, Julia H., and Volker Straebel, eds. Sound Studies and Sonic Arts Reader. Hofheim: Wolke, 2022.
Die Black Box des Unbegrifflichen: Ästhetisches Denken und KI
Positionen 132, August, 2022.
Artistic Potentials of Fallacies in AI Research
AIMC 2022, 2022.
Materiality, Contingency and Emergence of Compositional Material
Contemporary Music Review, Volume 39:5, 2020.
Between the Abstract and the Concrete: A Constraint-Based Approach to Navigating Instrumental Space
Computer Music Journal, 43:(1), 2020.
Towards a Materialist Conception of Sound as Thing
Organised Sound, 24:(2), 2019.
The Research Catalogue Exposition as a Digital Object: Challenges and Future
Artistic Research: Charting a Field in Expansion edited by Paulo de Assis and Lucia D'Errico, Lanham, MD: Rowman & Littlefield, 2019.
OboeJS: A Constraint-Based Approach to Instrument-Specific Algorithmic Composition
Proceedings of the International Computer Music Conference (ICMC 2018), Daegu, 2018.
The Virtuality of the Compositional Model: Varèse with Deleuze
Acta Musicologica, Volume 86, Bärenreiter, 2014.
Resonances of Subjectivity: Hegel's Concept of Sound and Di Scipio's Audible Ecosystemics
Contemporary Music Review, Volume 33, Issue 1, 2014, Special Issue: Agostino Di Scipio: Audible Ecosystems, 2014.
How to Think Sound in Itself? Towards a Materialist Dialectic of Sound
Proceedings of the Electroacoustic Music Studies Network Conference, Berlin, June, 2014.
Kartographie des kompositorischen Raums in den Arbeiten von Richard Barrett und Agostino Di Scipio
kunsttexte.de/auditive_perspektiven, Nr. 2, 2013.
Models of Constructed Sound: Non-Standard Synthesis as an Aesthetic Perspective
Computer Music Journal 35:3, 2011.
PhinGen: a Physically Informed Stochastic Synthesis Generator
Proceedings of the International Computer Music Conference 2011 (ICMC 2011), University of Huddersfield, 2011.
Compositionally Motivated Sound Synthesis
Proceedings of next generation 3.0, ZKM Karlsruhe, 2009.
PV Stoch: A Spectral Stochastic Synthesis Generator
Proceedings of the Sound and Music Computing Conference '09 (SMC '09), Porto, 2009.
CompScheme: A Language for Composition and Stochastic Synthesis
Proceedings of the Sound and Music Computing Conference '08 (SMC '08), Berlin, 2008.